Gaetano Pesce, Table Sansone, 1980
lundi 23 février 2015
KENDRA HASTE – SCULPTURES
A l’instar de son homologue italien Edoardo Tresoldi, la sculptrice anglaise Kendra Haste sculpte le grillage comme personne. Elle crée d’abord une structure en dur, un squelette sur lequel elle vient ensuite enrouler la matière pour ensuite la façonner et lui donner des formes animales réalistes. Certaines de ses œuvres seront exposées jusqu’en 2021 à la Tour de Londres.
dimanche 1 février 2015
SPVZ ™, PORTES OUVERTES DES ÉCOLES D'ARTS, 2008
SPVZ ™(Paris), Portes ouvertes des écoles d'arts, 2008
HORT, MICHAEL SPOLJARIC, NIKE WITNESS CAMPAIGN
Hort, Michael Spoljaric (Berlin), Nike Witness Campaign
KATE GIBB, JAMES BROWN, PRESS AND PULL EXHIBITION
Kate Gibb, James Brown, Press and Pull Exhibition
'Press & Pull' was an informal show of Brown and Gibb's work, and the idea behind was to produce a collection of prints derived from the pure enjoyment of printmaking. With 'Press' representing the lino cit technique and 'Pull' for the silkscreen side, the exhibition and invites took a look back to the glee with a series of collage produced with traditional printmaking techniques.
KATE GIBBS, CONSTRUCTIVISM PRINT
Kate Gibbs (illustration), Creative Review, London, Constructivism Print
inspiré de l'iconographie constructiviste russe des années 1910.
RICHARD WRIGHT, FRESQUES, 2010s
The Stairwell Project (2010)
Richard Wright (born London, 1960) is a British artist and musician.
Wright decorates architectural spaces with intricately designed geometric patterns in paint and gold leaf. His work of art includes a wide range of works made on paper, from prints on poster paper to elaborate and complex large-scale works that can include thousands of hand drawn and painted marks.
Wright's paintings are often short-lived, only surviving the length of an exhibition, they are painted over at the end of the show. This often seems to heighten the senses of the viewer in the knowledge that the work may not be viewable again, in any other place, at any other time. Turner Prize judge Andrea Schlieker described him as a "painter who rejects the canvas";[5] fellow judge Jonathan Jones called him a "modern fresco painter".[4] Wright injects complex works into often overlooked architectural spaces.
Inscription à :
Articles (Atom)